It's over

Last week meant another round of Canada Reads. I know I'm not the only one who looks forward to this annual debate. Face it, it's a tradition, and the place where I've discovered several books I'd never heard of before. Most notable of those would have to be Rockbound and lullabies for little criminals.

Since the theme for this year's competition was "One novel to change our nation," the book I figured would (and should) win was Margaret Atwood's Year of the Flood. It's the second in her three-part dystopian trilogy with its predictions of GMO-ed just-about-everything, including people. I thought that might well be the best book to shake things up, maybe even get us thinking about getting off the oil teat sooner than later. And really, with Stephen Lewis defending it, I figured Flood was a shoo-in.

But it turned out to be the first book voted out -- gone at the end of Monday's discussion. I guess my choice was based too much on my particular biases -- some of the things I think we need to change to save ourselves -- like stopping all this mucking around, playing God with genes. 

Still, Wab Kinew did a masterful job of convincing the committee -- and listeners -- that Joseph Boyden's The Orenda was the book to bring about what we most need, reconciliation. And really, if a book could accomplish that, who could possibly complain. 

The art of the book

One of the nicest things that happened this week was the reading and chapbook launch at the public library in North Delta. More than just a reading, as you can see from the photo, it was a celebration.

The event was the culmination of a workshop I led this fall on the topic of making a chapbook. It helped, of course, that it was such a terrific group -- 6 women and 2 men -- each writer with their own distinctive voice and style.

Although most of the books contained poetry (one was fiction, four linked short stories), the range of poems was remarkable -- from rhyming poems for kids with the words based on High Frequency Sight Words, to thoughtful reflections on family, the mundanities of daily life, the mysteries of defining one's relationship with God. One was inspired by the poems of Walt Whitman, and included several multi-media experiments.

One book was laminated (since it's for kids, good idea!), most were hand-sewn, though one was bound by a tidy row of black machine-stitching. Nice intersection of technologies! I especially liked the choice of colours offered in Zero to Sixty. It was hard to decide which one to pick. I was tempted to buy one of each.

Even though this workshop won't be repeated until fall of 2013, I'm already looking forward to it and wondering what surprises will result then.