Remembering Nelson Ball

Today would have (should have) been the day poet and publisher Nelson Ball turned 84. Sadly, he died in 2019. 

On Sunday, I joined with other writers in honouring poets no longer on earth in an event that takes place on a bi-monthly basis, the Dead Poets Reading Series. It was my distinct pleasure to be the one to celebrate Nelson. 

The little pile of books in the photo above were the ones I read from. What a joy to be able to share some of his poems with an audience who seemed eager to listen. 

The one on top, In This Thin Rain (apt for this quietly raining day here in BC) accounts for the happenstance of my meeting him. I wrote a review of it for a now-defunct online magazine and somehow Nelson tracked me down so he could say thank you. Not an experience a reviewer often has!

As I noted in my presentation, Nelson's wife Barbara Caruso was hugely important to him. An abstract artist who adored colour, she clearly influenced a great deal of his writing. The poems he dedicated to her were always filled with visual imagery and a lot of colour. I did my best to read a range of his work, poems that always seemed to be the result of close observation, both visually and sound-based. 

I closed with a poem that seemed appropriate for an ending to such a joyous presentation. Here, in its entirety (from a collection with the hopeful-sounding title, Almost Spring) is a poem called "Infinity" -- a little bit philosophical, I suppose. Somthing to think about...

There is 

no infinity--

 

only large numbers

 

growing

larger 

 

 

 

 

 

 

Live long and prosper

Anyone who's watched Star Trek is bound to recognize the Vulcan salutation made famous by Spock, the half-human science officer on the early days of Star Trek. 

Today is apparently Star Trek Day, although it must be noted that though September 8th is the anniversary of the show's first airing in the US, here in Canada it premiered on September 6th. Maybe this was a sneak preview for benefit of William Shatner's fellow Canadians. 

Fifty-nine years (since 1966), not a bad run for a show that began with lines about the starship Enterprise and "...its five-year mission".

As for the photo, it's a T-shirt from Vulcan, Alberta, a town that celebrates all things Star Trekkian, supposedly a shirt from Starfleet Academy, where crew members took their training. As for me, I wore the shirt (even though it's well worn, over all those years of 'training' as I watched reruns of the series) to a reading I was part of this summer, a reading where I read poems I wrote about Captain Kathryn Janeway, who appeared in Voyager, a later incarnation of this beloved series. 

This is a tool

...not a weapon. 

Yet, on July 4th Bailey McCourt, 32, was beaten to death with one by her estranged husband. Even though he'd been convicted of making threats to kill her, he was out on bail when he murdered her. What I'd like to know is why is this still happening?

There's a terrible irony in that today is a remembrance of Vancouver poet Patricia Lowther who was murdered (same choice of weapon) 50 years ago this September. Had she lived, later this month (the 29th) would have been Pat's 90th birthday. 

Another irony is the fact that today is the launch of a new book, Creating in Dangerous Times. I guess indeed we are still living in dangerous times. 

Coming home from Vancouver on the bus I was happy to spot, in among the ads for everything from real estate to debt relief, this poem by Michelle Brown. 

It's part of a long-running series called Poetry in Transit, a program whose name I am sure must have been inspired by a song from long ago, "Poetry in Motion". Oddly, Johnny Tillotson, the singer who popularized that tune, died at the beginning of this month--the month when we in Canada celebrate National Poetry Month. 

I was doubly glad to have found this particular poem on 'my' bus, as the

book it's from Swans, a book 
that's currently on my reading table, a nice way to close off this year's National Poetry Month celebrations. 

A different sort of celebration

According to T.S. Eliot, April is the cruelest month, but that's not a sentiment I share. 

As someone who loves poetry, I'd have to counter by saying that April is the coolest month, as that's when we celebrate National Poetry Month in Canada. 

One of my plans for this month is to give away a book of poetry every day in April. For one thing, it's a good way to cull my (admittedly too large) collection of these books. After all, two bookcases full probably means more books of poems than I will be able to reread in the remainder of my life. 

I did something along similar lines back in 2011 when we travelled across the continent of North America. Considering that most of that trip was through the US, I'm sorry to say we won't be repeating that journey this year (and I guess not until 2028). Like so many other Canadians, in conscience we're just not able to cross the border for now. 

The League of Canadian Poets has selected Family as this year's theme, and that's a word that means different things to many of us: blended family, adoptive family, nuclear family, extended family. Or, to interpret it the way that makes the most sense to me: chosen family, those people we hold dear as friends, a new kind of family, chosen at that. 

The books at the top of this page each offer a very different take on contemporary poetry. For more suggestions click here to see a list compiled by the brainy folks at The Tyee. 

Poetry and Art and Friendship

The other night I was lucky enough to be part of a group of writers invited to read at the Sidney and Gertrude Zack Gallery in Vancouver. Our challenge was to find inspiration in the artworks on display, a kind of exercise in ekphrastic poetry. In the past, I've explored this method of writing, but previously the art works were landscapes or abstracts. All of the paintings in this show, while not technically portraiture, were faces of women. 

The artist Therese Joseph was in attendance at the event, and answered a number of questions posed by audience members--mostly about her process (which turns out to be a combination of methods). 

It's worth taking a look at her website, and to view the images we worked from (click on Faces).

I hadn't been in one of these readings at that gallery since pre-pandemic times, so this felt like a kind of homecoming or even a family reunion, as so many friends were there--including the reader and our emcee in the photo above. 

Among the poems I read were ones reacting to the recent US election--not particularly happy pieces, but then, part of my job as a writer is to reflect on the times, even when they're not happy ones. 

I'm hoping 2025 will bring more such opportunities, ones that leave me feeling 're-filled' with warmth and with hope. 

Poetry, poetry, poetry

Today is World Poetry Day, a time when it seems appropriate to remember Brian Brett, a poet and friend who died earlier this year. 

When I met him, he was 21, and I wasn't much older, so we had a few years to get in each other's hair. 

He spent a third of his life in White Rock, and was a feisty member of the community I've been part of for more than half of my life. If you clicked on the link in the line above this, you might still be blinking from all the flashy lights. Trust me, the place used to be much different--White Rock was quite a sleepy little seaside town where most of us had at least a passing recognition of one another. The sea is still here, though to get near it by car, you need to be prepared to pay hefty parking fees. 

But this isn't about the town (even though Brian served a couple of terms as a City Councillor, a position that was then back known as 'alderman'); it's about poetry and one of the finest writers to ever pass through here. 

The photo above, though it's not easy to see, is one of the touching mementos his family set out at his recent memorial service. It's the chair where he often sat (and nearly always pontificated from), along with a favourite hat and vest, as well as his famous peacock-themed suspenders. 

Without much poking around on YouTube, it's easy enough to find videorecordings of Brett reading his work, but to get you started, here's a link to one of the shorter (and funnier) ones--a good way to celebrate both Brian and World Poetry Day. 

Art, art, art!

It's been a weekend (and month-end too) filled with art. Yesterday was an afternoon of experience at the Surrey Art Gallery -- from the current exhibit through a writing workshop to an opportunity to do some editing -- and yes, all at the same venue. 

The current show, the work of Victoria's Charles Campbell, is called "An Ocean to Livity." The exhibit is based in breath -- yep, the in-and-out of air that we spend our lives doing. It's complicated to explain, but the visuals were based on (I think) sonograms of breath. Wildly, they 'translated' into a variety of colours and patterns it would have been hard to just make up. 

And then, to the writing workshop which saw us responding to prompts from two wonderful poets, Kevin Spenst and Tolu Oloruntoba. Using their suggestions, we considered each of the lighted art works in the exhibit, and managed to find words spilling out of our brains. And then on to assembling a poem on the spot!

They also provided a series of 'editing' prompts, useful to anyone who thinks about trying to write. 

But the crowning touch was presentation of a how-to on making a mini-chapbook, a skill that Kevin has down to a fine art. Because I first learned how to make these little books from Kevin, I've always referred to them as Kev-bukis. 

But wait, there was yet another opportunity for editing -- this time a session on editing in Wikipedia. This was of special interest to me, not only because 'feminism' was in the workshop's title, but also because when I entered the room where the workshop was taking place, the first screen I saw contained an article about Torrie Groening. Not only did this pique my interest, as she's a Vancouver artist who's shown work in the Surrey Gallery, but I knew I'd be seeing her work on Sunday!

She and her partner Stephen run the Churchland Studio, a featured stop in this year's Capture Photography Festival -- and I'd already made plans to attend the exhibit there. 

Well worth the trek into the city, even with a few dribs of rain on the windscreen, as the photography collection there was simply amazing. And wouldn't you know, in amongst the many art treasures, what would I come across but an accordion book based on small cyanotypes. Wow. A little treasure. And a fitting close to comments on an art-filled weekend as well as the end of this year's National Poetry Month.  

The Joys of Celebrating National Poetry Month

The theme for this year's National Poetry Month is Joy, so it's fun to think of the many ways poetry brings joy to people. 

Last week, I was part of a group who spoke as a delegation to Surrey's City Council in celebration of National Poetry Month. The presentation is about twelve minutes long, but in case you'd like to see some or all of it, here's the link to our presentation. 

That stack of poetry books beside my springtime tulips represents some of my favourite recent reads. I'm especially joyous over the fact that Susan Musgrave's latest collection, Exculpatory Lilies is a finalist, on the longlist for this year's Griffin Prize. The shortlist won't be announced until next week, on the 19th, but I certainly have my fingers crossed, as I think it's an amazing book (and apparently, I'm not the only one -- here's a review from CBC Books).

Musgrave's husband Stephen Reid died in 2018. And then, in 2020, their daughter Sophie was gone. 

The poems are some of the bravest I've ever read, as many of them deal directly with the problems both Stephen and Sophie shared. Yet despite the sadness that prevails, Musgrave's wonderful sense of humour shines through like sunlight poking through the branches of a forest. So even in the midst of a book that in many ways is an extended elegy, joy comes our way. 

Find a book of poetry to poke your nose into, and while you're there, seek its joy -- and then, maybe think about finding a way to share it. 

Angels on my shoulder

Yesterday was one of the first times (in waaaay too long) that I've gone into Vancouver. Best of all, the occasion was for a workshop I was leading, in one of my favourite venues, the Carnegie Centre.

Name of the workshop was 'Voicing Resistance' and its point (beyond getting together with a terrific group of people, the FireWriters) was to get all of us thinking about ways to write meaningful work about troublesome issues. It was all about getting ready to join in on a public event on Saturday, May 7th -- one of the many parts in the upcoming DTES Writers Festival .

Before I left the house yesterday, I stopped by my little basket of 'angel cards' to see which special angels might help guide me through the session. When I looked these up to share what I mean by angel cards, I discovered an entire world of them, many of which were compared to Tarot or other cards for divination. Who knew? Not me. I hadn't known that there were books that could show you how to use them beyond the simple way I have always done: simply pulling three and keeping those three concepts in mind as small fortification for the day. 

No book of interpretations to guide me, but I was certainly pleased by the three angels I selected to 'accompany' me for the day. Happily, they all seemed to play a role in a delightful afternoon. 

N.B. For anyone living in or near Vancouver, the afternoon of May 7th (1 - 5 pm) has been called an 'Activism Afternoon' with workshops, slogan writing and an Open Mic reading (sign-up at the event) -- all taking place at Oppenheimer Park. 

Spring-ish

Although the official equinox was yesterday, it's today that I'm observing the first full day of spring here on the west coast. 

I'm also noting that today is World Poetry Day, an observance that I suppose most of the world manages to miss. 

This year, as part of that observance (it's hard to call much of anything a 'celebration' during these dark days), there's a YouTube channel that's featuring the work of quite a few poets who've been writing in support of the brave people of Ukraine. 

It's been a sad time here, with two darling friends dying last week -- one day after the other. Neither of them came as a big surprise, as both had major health issues which meant their time was running low, but sad nonetheless, as both are friends I will greatly miss. 

So maybe that's why my otherwise bright-eyed daffodil appears to be a little droopier than might be expected. 

I can only trust that brighter days are coming soon -- not only here, but also for the rest of the world. 

The power of words

The poppy has likely become the most recognizable symbol of Remembrance Day. And it's all because of a poem written by John McCrae, one so many of us can recite (at least partially) by heart, "In Flanders Fields". 

We don't always realize the power of our words, and I'm sure McCrae had no idea that I (and a lot of other people) would be wearing a red poppy on my lapel all these years after World War I, over a century on. 

McCrae is certainly not the only poet who's written about what was called the Great War. The most famous of these is probably Wilfred Owen, though there are others, including a woman, Vera Brittain, whose poetic contribution was a volume called Verses of V.A.D. She was better known for her prose writings, one of which, Testament of Youth, sounds as though it will be coming out as a film. 

Many others have written novels set during World War I. Two that come to mind are June Hutton's Underground, another is Deafening by Frances Itani. 

But Remembrance Day isn't only about remembering the First World War. It's a day for being grateful for all of those before us who fought for a way of life we too often take for granted. 

And one special remembrance I always keep on this day is the fact that it's the birthdate of Kurt Vonnegut, a writer who certainly solidified his reputation as being anti-war with his memoir-based novel, Slaughterhouse Five. 

Who will I be this time?

 

Part of making a jack-o-lantern is deciding what kind of face it needs. This little guy looks to me like he deserves a smile. But I'm not usually the carver in our house -- I'm usually more the seed-baker. As far as using the rest of the pumpkin, I'm not so good. Weird of me, I suppose, but almost the only food I don't like is pumpkin pie. 

But there's more to Halloween than the pumpkin. Sure, there's the matter of treats -- beware buying items with peanuts -- too many little ones have allergies. Same for paying attention to sugar, sugar, sugar. 

Because I long ago attended Catholic schools, we were lucky enough to get a day off on the day after Halloween, All Saints Day, no doubt giving our teachers a break from us, jumping up and down in our seats. 

Really though, the hardest thing about Halloween is trying to figure out a costume!

My best ones have probably been dreamt up at the last minute -- rat with my friend dressed as a bag of garbage. The main trouble he experienced was that party-goers kept tossing chocolate bar wrappers and other debris into the garbage bag he was wearing. 

The most fun costume I can remember was when I went as 'The Magnetic Poet' with a metal clipboard hanging around my neck where friends were encouraged to create contributions to a poem. The best part (or most fun maybe) was the 'hat' I wore which identified me -- a red metal colander with more magnetic words for 'helpers' to use in making poems on the fridge or wherever else they could find a workable metal surface. 

However you celebrate, be sure to have some fun (and be sure to have enough treats on hand to have leftovers for yourself)!

Long time coming

Today is the first time we in Canada are observing National Day for Truth and Reconciliation. Many businesses are closed, though not all. As is so often the case with a newly introduced tradition, it takes some of us longer to learn than others. 

I was fortunate to be in Victoria, our provincial seat of government, earlier this week. It was good to see the steps of the Legislature Building filled with reminders of the 215 children whose graves were discovered earlier this year. 

Even wet with rain, the memorial to them evokes sadness -- and for some of us, difficult memories of our own, especially recollections of experience with actions taken in the name of religion. 

I was especially pleased when this morning's 'Poetry Pause' from the League of Canadian Poets arrived in my inbox, as it was "Angels: 215" a poem written by our current Parliamentary Poet Laureate, Louise Bernice Halfe / Sky Dancer. Not only is she our country's first Indigenous Poet Laureate, she knows all too well the experience of residential schools. And in case you'd like a poem emailed to you every day, here's a link to the form where you can sign up. 

The message, "Every Child Matters" is important and one we can only hope will soon become universally true, one that will remain true always.  

Aside from listening to different broadcasts today, this little post is about all I am able to do. That and wear my own orange shirt. I did at least do my best to buy a new shirt with a design that was created by an Indigenous artist. 

I felt fortunate to find one bearing the work of Art W. Charlie II, a man from near Tofino here in B.C. 

Up in the air

That's where we were the other, walking through the tree canopy at UBC's Greenheart TreeWalk. Even though we were high up (several storeys at many points along the route), it mostly felt a bit 'swingy' though the rope handles on either side were reassuring enough for even a chicken like me. 

Something I thought about while I was making the walk was the Wallenda family, who made tightrope walking a multi-generational career. I kept trying to keep my feet walking a line that followed the centre of the walkway. This only convinced me I could never have learned to walk on a rope, especially not one that didn't have a catch-net below. Yikes!

The other thing the walkway reminded me of was Robert Louis Stevenson's poem, "The Swing" with its rocking rhythms, so evocative of actually being on a swing. I tried finding a video of a film based on this poem, but none of the ones on YouTube were the one I'd been looking for. A former student of mine made it some years ago. While I was lucky enough to see it once, as she visited and shared it, but sadly, I can't find it anymore. 

Nonetheless, I still like the poem, and I hope maybe you will too. Here's a link to the print version of it. Imagine yourself on a swing as you read it; you might even feel like 'pumping' your legs! And if you feel like taking a vicarious walk on the one out at UBC, click here for a video experience. 

Nostalgia on a summer breeze

At last, the season for reading outdoors has truly arrived. Oh sure, I used to read in the snow fort I’d built in the backyard, but that was a long time ago, a time I’m not all that nostalgic for. Still, such thoughts are somewhat apt, as the book I read yesterday afternoon, Diane Tucker’s Nostalgia for Moving Parts, opens with memories of childhood.

Whether she’s recalling the feel of bare feet on cool floors or sliding on them “in sock feet” or lying down, staring into the heat vents which she describes perfectly as looking like “little venetian blinds” she’s certainly succeeded in transporting me there. Even in her stories of being a very young girl, we see her developing what she understands being a woman to mean, whether that’s disliking a dress your mother wants you to wear, flirting with a cute boy in grade two, or coming to the realization that there’d come a day when “You threw the dice of yourself and hoped you’d win.”

Her poems and the experiences they recount—including the deaths of both of her parents—have taken me to some of the places I realize I still need to pay more attention to. Even my massage therapist tells me that my pains are from holding back grief. As the poet Edward Hirsch reminds us in 100 Poems to Break Your Heart, “The poet is one who…is determined to leave a trace in words, to transform oceanic depths of feeling into the faithful nuances of art.”

And that seems to be exactly what Tucker has done with her poems, which deal with everything from the joys of backyard games:

we smashed the badminton birdie

over the fading net arc after arc

until evening ate the small white thing

 to observations about the qualities of evening wine: 

White wine is not white but golden,

bright lantern to light your aging limbs,

slow lover bathing your solitary throat.

 And from those words I read on yesterday’s summery afternoon (“This afternoon could scour the cool / out of anything…”), I have to say that I am grateful that she has given me words I can use to write about her book, a book that helps me understand why she is nostalgic for certain lost things—and how it is that she has come to write about them. For lack of a better way to express this, I offer a stanza from her poem, ‘The woods are full of poets’: 

As cedar boughs grow down and then

grow up (a double wish, a desire for both

at once), blank paper does two things:

it blocks the light and it lets light through. 

It’s a stanza that in itself evokes a small reminder of (and nostalgia for) Leonard Cohen, and his lessons about light.

Anniversaries and fresh starts

Although I knew that today is National Indigenous People's Day, if I hadn't heard it on the news, I wouldn't have realized that this is the 25th anniversary of this observance. Time. Such a strange phenomenon. Sometimes it moves so slowly; other times it seems to be in the blink of an eye. 

One aspect of this year's observance that seems worth noting is the fact that our current Parliamentary Poet Laureate, Louise Bernice Halfe -- Sky Dancer is Indigenous and spent part of her early years attending Residential School. 

Her poem called "Angels" reminds of us of the children whose graves were discovered at the old school in Kamloops. It's posted on the Poet-Laureate website and you can read it here. 

My Own Private Oscar Night

For years, I've been a faithful follower of Oscar night. This year, as things are in oh-so-many ways, it's different. The biggest differences are that I only saw one film in a cinema this year, and I've only been able to see a few of the candidates for the big awards. 

But I have one all-on-my-own disappointment. The short animated film that I'd hoped would not only be up for, but would WIN an Oscar, didn't make the list. 

It's only five minutes long, but I can't think of a better candidate for the winner for animated short this year than one from our own NFB. It's a short created by Andrea Dorfman, of a poem by Tanya Davis called 'How to Be at Home'. It's only five minutes long, and when you're ready, click here to see it. 

Poetry all over the place

National Poetry Month -- is, as far as I'm concerned, one of the great reasons (besides the gradually improving weather) to be glad it's April. This year's theme, resilience, seems right for the year we've had (and seem to be continuing to have) under various stages of lockdown and social distancing. 

As a constant reader, I tend to poke around in genres. And it seems, even when I'm putting my focus on poetry, more than one genre insists on being present. The three books above serve to illustrate this. 

The one on the left, Scratching Initials, is a self-published homage to the author's sister. It's a blend of poems and black-and-white drawings, quite a lovely little book that contains a nice range of poetic forms -- prose poems, ghazals and haibun. 

The one on the right, burninghouse, is a taut collection by a writer whose work feels firmly grounded in Atlantic Canada. Feminism is the guiding principle in these poems -- a book worth taking the time to find -- or at least that's my opinion. 

The one in the middle, 100 Poems to Break Your Heart, does much more than the title suggests. Each of the 100 poems in this anthology is accompanied by a short essay that enriches anyone's reading of the poem. And it isn't so much that the author, noted poet Edward Hirsch, offers ongoing heartbreak; his words -- and the poems -- provide solace, something I suspect so many of us are now in need of. 

And if you're ready to celebrate National Poetry Month with poems of your own, here's a link to a list of inspirations that might get you started. Or, for more detailed instructions (note: they change, day to day) here's a blog for NaPoWriMo (which has added 'Glo' to its name, indicating it's now National Global Poetry Writing Month) with amazing suggestions -- including one, for a 'deck' of word cards which seems actually to have been part of the method Linda Pearce used in Scratching Initials. 

Once you've started writing poems, I hope you might work up enough courage to enter this year's 2-Day Poem Contest, an adventure that's always interesting (to put it mildly -- try it and you might see what I mean). Although the event takes place April 23rd to 25th, the deadline for registering is April 16 -- soon. 

The choice of how to celebrate is yours, and no doubt there'll be more poetry-themed posts during this glorious month that celebrates this dear-to-my-heart art form. 

Share a poem today

Sometimes it seems that there's a designated 'Day' for just about everything. 

Yesterday was (and it came as news to me) the International Day of Happiness. That seems like a day we could use more often than once a year. 

Today is another such observance. In 1999 the United Nations declared this date World Poetry Day. Some years, a specific theme is declared. In 2017 the theme was 'Freedom'. 

This year, while there's no specific theme, the preservation of languages plays a role. 

Since I don't write much in anything but English, the best I can offer for a poem today is a small piece particular to this challenging year we've been enduring. 

Haiku in isolated times

sitting at the table

so many days together

we remain in love