To console myself, I tried to pretend -- even went so far as to turn on a sunlamp to 'tan' my winter-white, dry-skin legs.
Best consolation though was where I usually find it: in one of the books I'd planned to take along.
The title, The Body on the Beach, sounds as though it might be a bit grisly as holiday reading, but no, that wasn't the case. For one thing, the beach in question was about as far from Varadero as one could get while still being on the Atlantic Ocean: Harbour Grace, Newfoundland.
As it happens, that's a town I've visited more than once, as it played into the research I did for Flightpaths, my book about Amelia Earhart. But this 'visit' is during the 1920s, the era when Model T cars were still relatively new.
It's hard to pigeon-hole this novel as any single genre, as it qualifies not only as detective story with questions that range at first from who was it that died, to a series of increasing challenges regarding the details of that death (how and why being foremost, though there's definitely a whodunnit aspect as well).
But that isn't all it is, as it's also a love story -- about the love a man has for a woman from his past as well as a growing romance in his here-and-now.
All of this is complicated (in a good way) by the many historical details author Patrick J. Collins has layered into the book. The biggest of these, and the one that causes the most tension is Prohibition. Being a port town, one that engages in shipping both to and from the US (remember, at this time, Newfoundland was not yet part of Canada, but its own independent dominion), Harbour Grace's location makes it convenient for would-be smugglers.
Even though now and then I'd get a little lost in the crowd of so many characters, the book kept me engaged enough to not fret too much about a missed opportunity for travel. In fact, it allowed me some of the best travels of all, those travels we take via the mind.
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